The Girl in the Spider's Web: Continuing Stieg Larsson's Millennium Series (Modèle aléatoire ) - Couverture souple

Wrange tried to concentrate on the game, but he was not managing too well. Fortunately this punk girl was going to be easy pickings. She wasn’t bad, as it turned out—she probably spent a lot of time playing—but what good was that? He toyed with her a little, and she was bound to be impressed. Who knows, maybe he could even get her to come home with him after- wards. True, she looked stroppy, and Wrange did not go in for stroppy girls, but she had nice tits and he might be able to take out his frustrations on her. It had been a disaster of a morning.
 
It wasn’t grief that he felt: it was fear. Wrange really did try hard to convince himself that he had done the right thing. What did the goddamn professor expect when he treated him as if he didn’t exist? But of course it wouldn’t look good that Wrange had sold him down the river. He consoled himself with the thought that an idiot like Balder must have made thou- sands of enemies, but deep down he knew: the one event was linked to the other, and that scared him to death.
 
Ever since Balder had started working at Solifon, Wrange had been afraid that the drama would take a frightening new turn, and here he was now, wishing that it would all go away. That must have been why he went into town this morning on a compulsive spree to buy a load of designer clothes, and had ended up here at the chess club. Chess still managed to distract him, and the fact was that he was feeling better already. He felt like he was in control and smart enough to keep on fooling them all. Look at how he was playing.
 
This girl was not half bad. In fact there was something unorthodox and creative in her play, and she would probably be able to teach most people in here a thing or two. It was just that he, Arvid Wrange, was crushing her. His play was so brilliant and sophisticated that she had not even noticed he was on the brink of trapping her queen. Stealthily he moved his positions forward and  snapped it up  without sacrificing more than a knight. In a flirty, casual tone bound to impress her he said, “Sorry, baby. Your queen is down.”
 
But he got nothing in return, no smile, not a word, nothing. The girl upped the tempo, as if she wanted to put a quick end to her humiliation, and why not? He’d be happy to keep the process short and take her out for two or three drinks before he pulled her. Maybe he would not be very nice to her in bed. The chances were that she would still thank him afterwards. A miserable cunt like her would be unlikely to have had a fuck for a long time and would be totally unused to guys like him, cool guys who played at this level. He decided to show off a bit and explain some higher chess theory. But he never got the chance. Something on the board did not feel quite right. His game began to run into some sort of resistance he could not understand. For a while he persuaded himself that it was only his imagination, perhaps the result of a few careless moves. If only he concentrated he would be able to put things right, and so he mobilized his killer instinct.
 
But the situation just got worse.
 
He felt trapped—however hard he tried to regain the initiative she hit back—and in the end he had no choice but to acknowledge that the balance of power had shifted, and shifted irreversibly. How crazy was that? He had taken her queen, but instead of building on that advantage he had landed in a fatally weak position. Surely she had not deliberately sacrificed her queen so early in the game? That would be impossible—the sort of thing you read about in books, it doesn’t happen in your local chess club in Vasastan, and it’s definitely not something that pierced punk chicks with attitude problems do, especially not to great players like him. Yet there was no escape.
 
In four or five moves he would be beaten and so he saw no alternative but to knock over his king with his index finger and mumble congratulations. Even though he would have liked to serve up some excuses, some- thing told him that that would make matters worse. He had a sneaking feeling that his defeat was not just down to bad luck, and almost against his will he began to feel frightened again. Who the hell was she?
Cautiously he looked her in the eye and now she no longer looked like a stroppy, insecure nobody. Now she seemed cold—like a predator eyeing its prey. He felt deeply ill at ease, as if the defeat on the chessboard were but a prelude to something much, much worse. He glanced towards the door.
 
“You’re not going anywhere,” she said.
“Who are you?” he said.
“Nobody special.”
“So we haven’t met before?”
“Not exactly.”
“But nearly, is that it?”
“We’ve met in your nightmares, Arvid.”
“Is this some kind of joke?”
“Not really.”
“What do you mean?”
“What do you think I mean?
“How should I know?”
 
He could not understand why he was so scared.
 

Lagercrantz has constructed an elegant plot around different concepts of intelligence . . . his continuation, while never formulaic, is a cleaner and tighter read than the originals . . . Without ever becoming pastiche, the book is a respectful and affectionate homage to the originals. (Mark Lawson Guardian.)

As I read Lagercrantz's The Girl in the Spider's Web, I found that I kept forgetting for several pages at a time that I wasn't reading genuine Larsson . . . One devours Larsson's books for the plots, the action, the anger, and most of all for Lisbeth Salander . . . Lagercrantz has caught her superbly, and expertly spun the sort of melodramatic yarn in which she can thrive. (Jake Kerridge Daily Telegraph.)

Fans of Stieg Larsson's captivating odd couple of modern detective fiction - the genius punk hacker Lisbeth Salander and her sometime partner, the crusading investigative journalist Mikael Blomkvist - will not be disappointed . . . Salander and Blomkvist have survived the authorship transition intact and are just as compelling as ever. (Michiko Kakutani New York Times.)

Elegantly paced, slickly executed, and properly thrilling. (Alison Flood Observer 2015-10-06)

First, the conclusion. David Lagercrantz has done well . . .The Girl in the Spider's Web conveys the essence and atmosphere of Larsson's Millennium novels. He has captured the spirit of their characters and devised inventive plots, most of them suitably exaggerated . . . On the evidence of Spider's Web, most Millennium fans will want to continue following their Lisbeth. (Marcel Berlins The Times.)

Lagercrantz's real achievement here is the subtle development of Lisbeth's character; he allows us access to her complex, alienated world but is careful not to remove her mystery and unknowability. Lisbeth Salander remains, in Lagercrantz's hands, the most enigmatic and fascinating anti-heroine in fiction. (Barry Forshaw Financial Times.)

Rest easy, Lisbeth Salander fans - our punk hacker heroine is in good hands . . . Swedish crime novelist David Lagercrantz takes the reins with prowess, not only mimicking Larsson's shamelessly pulpy prose, but admirably expanding the deliciously depraved world of the novels. (Patrick Ryan USA Today.)