Travel Light, Move Fast - Couverture rigide

Chapter One

In the Unlikely Event of Money, Buy Two Tickets to Paris

Oh, hello, Bobo,” Dad said, waking up from an induced coma to find me by his bedside. He looked around as best he could. “Bus station?” he asked.

“Budapest,” I said.

“Oh?” Dad said, fretting the lines and tubes that ran to his mouth and into his nose and into needles that disappeared under his skin where the Zambian sun had scalded an indelible brown line across his neck. The veins on his hands stood out, a worker’s hands, muscled and thick; there were needles slipped in there too.

“The poor man’s Paris,” I explained, cupping his hands in mine, the way you catch a large moth, gingerly.

“Ah,” Dad said, relaxing a bit.

Dad loved Paris in the spring; he loved Paris, the whole song. Something had happened to him there the year he left high school; love perhaps, or his first taste of freedom from the boiled-­cabbage, gin-­wrecked gloom of his British upbringing. After that, for the rest of his life, every time he came into extra money, which wasn’t often, he’d threaten to buy two tickets to Paris.

“Those Frogs know how it’s done. Start with champagne, end with absinthe; bring your dog to supper and no one gives a merde if you get off with the waiter,” he said.

Dad took my mother to Paris three times; he’d taken me once. He tried to get my sister to go for her fortieth birthday, but Vanessa had just delivered her sixth child and had endured a subsequently exhausting recovery in a noisy Lusaka clinic and she wasn’t in the mood to race our father to the top of the Eiffel Tower, or to savor new-­in-­season blackberries with a bottle of plonk on the Île de la Cité.

“If I show up with two tickets to Paris, will you come with me?” Dad had always asked the Scottish nurse with the cobalt-blue eyes who’d been our neighbor in southern Africa, back in the days my parents tried their hand at farming in a war zone. Auntie Rena, Vanessa and I had called her; in a war, you feel related to everyone, trauma bonded.

“Why yes, Tim,” Auntie Rena had always replied.

Dad hated hospitals. “They won’t let you smoke, you can’t get a drink when you really need one, and they always want to poke you in places not designed for poking.” He hated doctors too, on account of their propensity to attract dying or wounded people. “Then finish off the job.”

He’d only been in a hospital one other time, back in the seventies, after he’d run himself over while fixing the brakes on a car, also during our farming-­in-­a-­war-­zone phase. The workshop, built by the previous owner of the farm, a melancholy alcoholic, wasn’t level. “Should be good drainage though,” Dad said, looking on the bright side of the noticeably tilted pounded-­dirt floor. “If there’s a flood.”

But this was revolutionary-­era Rhodesia—­as it was back then, unpredictable, upended, brilliant—­and our farm was in a rain shadow, so although we had floods, mostly we had drought, and it was a heavy, mine-­proofed station wagon that had slowly rolled over Dad while the workshop staff looked on in impotent horror.

“Poor Dad,” Mum had said. “Squashed flat as a cockroach and still he kept insisting there was nothing wrong with him that couldn’t be fixed with an aspirin and a couple of brandies.”

Everyone hit panic stations; rare in Rhodesia, it went against our professed national character. We were the manliest of people. “Your father was the first person to be medevaced to town from the valley,” Mum said, her nose twitching wistfully. “Until then, people just had to bite the bullet; and in very serious cases, we were rattled into the hospital in a mine-­proof Land Rover. No shock absorbers to speak of.”

It was as if she were explaining to me a sepia-­colored version of a life she’d known well, a life that included my father, but which I could barely grasp, as if I’d been nowhere near the actual bright, bloody intensity of it all myself.

“Absolute agony for the victim,” Mum said.

“I remember,” I said.

“But not,” Mum continued, “your father. Paul Dickenson, bless him, drove Dad in his Mercedes-­Benz”—­there was a pause, so I’d have the opportunity to appreciate the full extent of what Mum had just said—­“to Brian Van Buren’s airstrip and Brian flew him straight to the airfield in Umtali over enemy lines.”

Things were beginning to blur a little in Mum’s narrative, I could tell, Out of Africa merging with one of those dashing Second World War movies she loves. But in our real life, in our little Rhodesian Bush War, there really were no enemy lines, no helpful German accents; God and restraint were long gone. There was only the country left; the soil, I mean, and blood.

And the three warring factions: white settlers scattered fatly here, there, everywhere; the Mashona kraaled in the northern two-­thirds of the country, the Matabele in the south.

To the death, we white settlers vowed. Naturally, the Mashona and Matabele had no choice but to make the same vow. Even a small child could tell it was going to be a long war, a rotten mess.

The black insurgents had the open support of North Korea, China, and Bono; they were tougher than it’s possible to imagine, enduring and patient. They’d been here forever and a generation. Some of those musoja must have been poets, dancers, farmers; war must have been harder for them to wage. Still, the ancestors were with them.

The white Rhodesians had the support of the United States, Israel, South Africa, and the UK; they were well trained, well armed, and ruthless. Most of their army was made up of paid black locals bossed about by white conscripts. A whole country of soldiers, but some of those conscripts must also have been poets, dancers, monks; ruthlessness must have been harder for them to perform. They were ancestor-­abandoned and -­abandoning.

Dad was assigned to a local unit on the eastern front, which wasn’t difficult to find, we were standing on it, but it wasn’t easy once he got there. He fought six months of every year with a handful of other white men, neighboring farmers, brothers in arms. They were supposed to stop insurgents coming from Mozambique into Rhodesia. Dad didn’t talk about it much; unless in his sleep.

Mum didn’t need to be told; she volunteered. She pledged to dig in as if we were seven generations into the place, as if we had actual skin in the game. She gamely donned the uniform, a horrible boxy dress in heavy polyester that would have been better suited to the Bavarian Alps, say, than to the sweltering valleys of eastern Rhodesia.

“Well, obviously we didn’t think the war would go on for so long, or that we’d lose,” Mum said afterward. She glared at me. “It was a shock when Robert Mugabe got in; I knew exactly what that meant. Or perhaps you don’t remember.”

I do remember.

Also what happened next, I remembered that too, although it’s not just one story, it’s thousands of stories, millions maybe. And it’s not just our story, or we’re in the story, but it didn’t happen only to us; it happened to other people too, and we happened upon it in equal measure. In unequal measure, I should say. It’d be generations before the shock waves left the land.

Or it is generations; we’re still there.

“So, of course, we stuck it out,” Mum concluded.

Ours was a nation in a state at war with itself, no doubt; bodies piled up. We all had family on the front, unless they’d already been taken out, as we said, scribbled, donnered. But the Scripture Union teacher at our junior school reassured us that the blacks had whatever they gave coming back to them. “The sins of the father will be visited onto their children, even unto their children’s children,” she said.

Meantime, there were army camps and minefields. There were suburbs behind razor wire, dogs patrolling clipped lawns. There were convoys, curfews, sanctions, and censorship. The whole country had been turned into one vast, confusing battlefield and there was no getting off it.

“Oh, Bobo,” Mum says. “You do exaggerate.”

Mum prefers not to remember the war, or anything about our lives, the way I do. All her stories have the clicking-celluloid and worn-­velvet comfort of an old cinema. As a result, her stories are better than mine, more vividly imagined, less depressing.

“And from the airfield,” Mum continued brightly, “Dad was taken straight to Umtali General in an ambulance. Imagine! He yelled and yelled. He wanted to be taken to the Wise Owl, the Impala Arms, the Cecil Hotel, anywhere but the hospital. I had to hear all about it from the stretcher-­bearers afterward.” Mum paused. “Not that it would have made any difference. The driver couldn’t hear Dad’s desperate entreaties above the wail of the sirens. Oh, those were the good old days, Bobo. There was always something exciting going on.”

Like love, war’s a bloody mess when it’s happening, and a worse mess when it’s over; but with any distance, you can look back at either and see only the glory, or only the pain. The dusk-­obscured truth—­somewhere in the middle of all our human messiness—­is very difficult to recognize. Honestly, it’s so faint through the dim pewter gloaming; it may not even be there at all, shapeless and formless.

Perhaps it’s God, or time, or all things; it’s grace in any case. Some soldiers claim to have seen it through gun smoke; women pushing life into the world might catch a glimpse of it; it’s in the start of everything and in everyone’s end, surely. But to have clarity in the routine of your ordinary life, not at the very end, or in extremis: That’s amazing grace; and you don’t just wake up there either.

There’s always a terrible waiting period, a purgatory of doubt, between the suffering and the grace. That’s the lonely alone work, weathering the places in between, and dismantling oneself piece by piece meantime, shredding all that can be shredded, returning to dust all that can be eroded. Amazing grace appears when all faith has fled; when final exhaustion has set in; when there’re no trails to follow and one carries on anyway.

“Travel light,” my father always said. “Move fast.”

He followed that advice, practiced what he preached, like it was a key tenet of his personal religion. “When you’re all the way down to the bone,” he’d told me once, “tobacco, tea, and a mosquito net; that’s all you need.”

When you’re all the way down to the bone.

Dad greatly admired a good sufferer; he remarked on it. Rural southern Africans came in for his highest praise. “Five hundred years of practice, poor bastards,” Dad said. The Brits were useless, in his estimation, except the queen. “She can take it on the chin all right.” The Italians were undignified. “They cry for their mothers,” Dad said. And it was hard to tell with Americans, “because it’s all a bit loud.”

The annex of the men’s ward of the Umtali General Hospital, where Dad was taken to recover from running himself over, was a new, low-­slung barracks hastily erected to accommodate war casualties flooding in from the officially recognized eastern front. “Well, that was literally our kitchen door,” Mum explained with studied humility. “It was us, Bobo, and beyond that, it was them.”

Injured soldiers sat outside in the sun, or slowly walked about, the ones who could, mouths frozen in a perpetual “oh,” as if the vehement amazement of whatever blast had brought them here was still working its way out of their bodies. “Stop gawking,” ­Va­nessa reminded me.

From bestselling author Alexandra Fuller, the utterly original story of her father, Tim Fuller, and a deeply felt tribute to a life well lived

Six months before he died in Budapest, Tim Fuller turned to his daughter: “Let me tell you the secret to life right now, in case I suddenly give up the ghost." Then he lit his pipe and stroked his dog Harry’s head. Harry put his paw on Dad’s lap and they sat there, the two of them, one man and his dog, keepers to the secret of life. “Well?” she said. “Nothing comes to mind, quite honestly, Bobo,” he said, with some surprise. “Now that I think about it, maybe there isn’t a secret to life. It’s just what it is, right under your nose. What do you think, Harry?” Harry gave Dad a look of utter agreement. He was a very superior dog. “Well, there you have it,” Dad said. 

After her father’s sudden death, Alexandra Fuller realizes that if she is going to weather his loss, she will need to become the parts of him she misses most. So begins Travel Light, Move Fast, the unforgettable story of Tim Fuller, a self-exiled black sheep who moved to Africa to fight in the Rhodesian Bush War before settling as a banana farmer in Zambia. A man who preferred chaos to predictability, to revel in promise rather than wallow in regret, and who was more afraid of becoming bored than of getting lost, he taught his daughters to live as if everything needed to happen all together, all at once—or not at all. Now, in the wake of his death, Fuller internalizes his lessons with clear eyes and celebrates a man who swallowed life whole.

A master of time and memory, Fuller moves seamlessly between the days and months following her father’s death, as she and her mother return to his farm with his ashes and contend with his overwhelming absence, and her childhood spent running after him in southern and central Africa. Writing with reverent irreverence of the rollicking grand misadventures of her mother and father, bursting with pandemonium and tragedy, Fuller takes their insatiable appetite for life to heart. Here, in Fuller’s Africa, is a story of joy, resilience, and vitality, from one of our finest writers.