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9781447230533: Hatchet Job: Love Movies, Hate Critics
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The finest film critic in Britain at the absolute top of his form' Stephen Fry 'Entertainingly incendiary stuff' Empire A hatchet job isn't just a bad review, it's a total trashing. Mark Kermode is famous for them - Pirates of the Caribbean, Sex and the City 2, the complete works of Michael Bay. Beginning with his favourite hatchet job ever, Mark tells us about the best bad reviews in history, why you have to be willing to tell a director face-to-face their movie sucks, and about the time he apologized to Steven Spielberg for badmouthing his work. But why do we love really bad reviews? Is it so much harder to be positive? And is the Internet ruining how we talk about cinema? The UK's most trusted film critic answers all these questions and more in this hilarious, fascinating and argumentative new book. 'A wry, robust and developed defence of accountable critical voices' Total Film 'Very accessible, entertaining and relevant ...warmly recommended' Den of Geek

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Revue de presse :

'A wry, robust and developed defence of accountable critical voices' 4 stars, Total Film

'Entertainingly incendiary stuff' Empire

'Very accessible, entertaining and relevant . . . warmly recommended' 4 Stars, Den of Geek

'Engaging, informative and funny . . . a thoroughly enjoyable and accessible book . . . buy it now' Vada magazine

'Populist, entertaining . . . A very personal examination of the usefulness and value of film criticism . . . Will delight fans of Kermode's previous books, and offers a fascinating glimpse behind the curtain into the life of a professional film critic' Verité

'A passionate history of his craft [from] Britain's premier film critic' Sp!ked

'Mark Kermode, perhaps the UK's most prominent film critic and certainly one of its most respected, covers all the big issues involved in writing reviews: being honest and only saying things you actually believe, trying to get the facts right, writing well, being entertaining, and, sometimes, changing your mind . . . It's funny, moving and angry' Theaker's Quarterly

'Insightful, erudite . . . relaxed and witty' HeyUGuys

'Puts a populist, accessible front on concepts that lesser authors turn into psychobabble' Jonathan Clements, MangaUK

'Entertaining . . . lively . . . valiant . . . he still reacts to cinema with the open-minded enthusiasm of someone who sees going to the pictures as a treat' New Statesman

'His enthusiasm for film and film criticism is infectious' The List

'Brilliantly puts the shifting sands of contemporary film criticism under the microscope' Digital Spy

'Annoying, irritating' --Will Self, Guardian

Présentation de l'éditeur :
'A wry, robust and developed defence of accountable critical voices' 4 stars, Total Film. For decades, the backbone of film criticism has been the hatchet job - the entertaining trashing of a film by professional reviewers, seen by many as cynical snobs. But with the arrival of the internet, have the critics finally fallen under the axe? With movie posters now just as likely to be adorned by Twitter quotes as fusty reviewer recommendations, has the rise of enthusiastic amateurism sounded the death knell of a profession? Are the democratic opportunities of the internet any more reliable than the old gripes and prejudices of the establishment? Can editing really be done by robots? And what kind of films would we have if we listened to what the audience thinks it wants? Starting with the celebrated TV fight between film-maker Ken Russell and critic Alexander Walker (the former hit the latter with a rolled-up copy of his Evening Standard review on live television) and ending with his own admission to Steven Spielberg of a major error of judgement, Mark Kermode takes us on a journey across the modern cinematic landscape. Like its predecessor, The Good, The Bad and The Multiplex, Hatchet Job blends historical analysis with trenchant opinion, bitter personal prejudices, autobiographical diversions and anecdotes, and laugh-out-loud acerbic humour. It's the perfect book for anyone who's ever expressed an opinion about a movie.

Les informations fournies dans la section « A propos du livre » peuvent faire référence à une autre édition de ce titre.

  • ÉditeurPicador
  • Date d'édition2014
  • ISBN 10 1447230531
  • ISBN 13 9781447230533
  • ReliureBroché
  • Nombre de pages320
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9781447230519: Hatchet Job: Love Movies, Hate Critics

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ISBN 10 :  1447230515 ISBN 13 :  9781447230519
Editeur : Picador, 2013
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  • 9781447235859: Hatchet Job: Love Movies, Hate Critics

    Picador, 2013
    Couverture souple

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Description du livre Paperback. Etat : new. Paperback. Once upon a time there were professional film makers and professional critics. They didn't always agree, but there was a mutual respect. It is very different now. Starting with the celebrated TV fight between Ken Russell and Alexander Walker (the former hit the latter with a rolled up copy of his Evening Standard review!) and ending with his own admission to Steven Spielberg of a major error of judgement, Mark Kermode takes us on a journey across the modern cinematic landscape. We are all critics now and, as the professional role diminishes, the democratic opportunities of the internet have created a new monster. Relying on speed of response, rather than considered reaction, these new critics have stolen the thunder of their paid up counterparts. But there is a dark side, the shocking deceptions hidden behind the facade of our digital world's new and supposedly democratic alternative, "the honest, unmediated audience response". Mark questions the future of any and all genuinely impartial criticism when reviews are systemically corrupted by bribery, vote-rigging, cyber-stalking, and sock-puppetry. And he asks that crucial question, what kind of films would we have if we listened to what the audience thinks it wants? Like its predecessor, The Good, The Bad & The Multiplex, Hatchet Job blends historical analysis with trenchant opinion, bitter personal prejudices, autobiographical diversions and anecdotes, and laugh-out-loud cynical humour. It's the perfect book for anyone who's ever expressed an opinion about a movie. The finest film critic in Britain at the absolute top of his form' Stephen Fry Shipping may be from multiple locations in the US or from the UK, depending on stock availability. N° de réf. du vendeur 9781447230533

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