The Voyage - Couverture rigide

Murray Bail is best known for his internationally best-selling novel Eucalyptus, a New York Times Book Review Notable Book of the Year and winner of the 1999 Miles Franklin Award . The New York Times Book Review wrote that Bail’s writing “exhibit(s) a surfeit of imagination, skill and style . . . (they contain) stories within stories, of enigmatic characters and sly questions with many possible answers.”

In The Voyage, Piano manufacturer and salesman Frank Delage travels to Vienna from Sydney, hoping to introduce a new design to replace the respected old pianos of Europe. He walks the great musical city, offering an impassioned defense of his piano’s technical superiority to any who will hear it. When his ambitions are ignored by the city’s staid musical elite, Delage’s finds his situation suddenly transformed by a chance meeting with Amalia von Schalla, an elegant grande dame of Viennese society. 

Now sailing home to Australia aboard the container ship Romance with his new bride, Amalia’s daughter Elisabeth von Schalla, Delage and his story begin to come to light in a hypnotic sequence of memories, voices, and snatches of conversations.

Bail’s prose sidewinds like a slipstream as Delage’s story moves between the glittering society of the von Schalla’s Vienna and the rough landscape of Australia. The Voyage is delightfully Joycean—conveying a sensuous physicality and the immediacy emotion, as well as revealing a great basin of interior life.

The Voyage was a finalist for the NSW Premier’s Literary Awards Christina Stead Prize for Fiction, WA Premier’s Book Awards, and the Queensland Literary Awards.

From the Hardcover edition.

'There's a lightness to Bail's writing - a gentle stealth in its revelations - that slowly but surely brings the reader alive' Canberra Times. (Canberra Times)

'A lustrous piece of fiction, consistently surprising and illuminating, full of mirrors and illusions, but with the abiding face of real feeling and deep truth. We won't see a finer piece of fiction in the longest while' Peter Craven, Melbourne Age. (Melbourne Age)

'His works are to be savoured for their elegant artifice ... This novel is not the sum of its preoccupations but an essentially abstract work of art: an invention in the sense that Bach and his contemporaries used the term for some of their compositions' Andrew Reimer, Sydney Morning Herald. (Sydney Morning Herald)

'Few writers anywhere in the world can match the esteemed Australian for stylistic daring ... a short but sumptuous feast' The Irish Examiner. (Irish Examiner)

'Beautiful, lyrical, elegant, musical, often surprising and wittily allusive: it is a very readable and original example of high modernism's delight in experimentation ... deserves to be Booker nominated' The Lady. (Lady)

'Curiously exciting: one reads in a permanent faint fever, on tenterhooks, never knowing quite where a sentence or a paragraph may veer off to' John Banville, The Monthly. (Monthly)

'Intelligent and shockingly funny ... vastly thought-provoking ... this masterful concoction engages, excites and perturbs with singular virtuosity' Irish Times. (Irish Times)