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9780812971897: No God but God: The Origins, Evolution, And Future of Islam
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Book by Aslan Reza

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1. The Sanctuary in the Desert

PRE-ISLAMIC ARABIA
Arabia. The Sixth Century C.E.

IN THE ARID, desolate basin of Mecca, surrounded on all sides by the bare mountains of the Arabian desert, stands a small, nondescript sanctuary that the ancient Arabs refer to as the Kaaba: the Cube. The Kaaba is a squat, roofless edifice made of unmortared stones and sunk into a valley of sand. Its four walls--so low it is said a young goat can leap over them--are swathed in strips of heavy cloth. At its base, two small doors are chiseled into the gray stone, allowing entry into the inner sanctum. It is here, inside the cramped interior of the sanctuary, that the gods of pre-Islamic Arabia reside: Hubal, the Syrian god of the moon; al-Uzza, the powerful goddess the Egyptians knew as Isis and the Greeks called Aphrodite; al-Kutba, the Nabataean god of writing and divination; Jesus, the incarnate god of the Christians, and his holy mother, Mary.

In all, there are said to be three hundred sixty idols housed in and around the Kaaba, representing every god recognized in the Arabian Peninsula. During the holy months, when the desert fairs and the great markets envelop the city of Mecca, pilgrims from all over the Peninsula make their way to this barren land to visit their tribal deities. They sing songs of worship and dance in front of the gods; they make sacrifices and pray for health. Then, in a remarkable ritual--the origins of which are a mystery--the pilgrims gather as a group and rotate around the Kaaba seven times, some pausing to kiss each corner of the sanctuary before being captured and swept away again by the current of bodies.

The pagan Arabs gathered around the Kaaba believe their sanctuary to have been founded by Adam, the first man. They believe that Adam's original edifice was destroyed by the Great Flood, then rebuilt by Noah. They believe that after Noah, the Kaaba was forgotten for centuries until Abraham rediscovered it while visiting his firstborn son, Ismail, and his concubine, Hagar, both of whom had been banished to this wilderness at the behest of Abraham's wife, Sarah. And they believe it was at this very spot that Abraham nearly sacrificed Ismail before being stopped by the promise that, like his younger brother, Isaac, Ismail would also sire a great nation, the descendants of whom now spin over the sandy Meccan valley like a desert whirlwind.

Of course, these are just stories intended to convey what the Kaaba means, not where it came from. The truth is that no one knows who built the Kaaba, or how long it has been here. It is likely that the sanctuary was not even the original reason for the sanctity of this place. Near the Kaaba is a well called Zamzam, fed by a bountiful underground spring, which tradition claims had been placed there to nourish Hagar and Ismail. It requires no stretch of the imagination to recognize how a spring situated in the middle of the desert could become a sacred place for the wandering Bedouin tribes of Arabia. The Kaaba itself may have been erected many years later, not as some sort of Arab pantheon, but as a secure place to store the consecrated objects used in the rituals that had evolved around Zamzam. Indeed, the earliest traditions concerning the Kaaba claim that inside its walls was a pit, dug into the sand, which contained "treasures" magically guarded by a snake.

It is also possible that the original sanctuary held some cosmological significance for the ancient Arabs. Not only were many of the idols in the Kaaba associated with the planets and stars, but the legend that they totaled three hundred sixty in number suggests astral connotations. The seven circumambulations of the Kaaba--called tawaf in Arabic and still the primary ritual of the annual Hajj pilgrimage--may have been intended to mimic the motion of the heavenly bodies. It was, after all, a common belief among ancient peoples that their temples and sanctuaries were terrestrial replicas of the cosmic mountain from which creation sprang. The Kaaba, like the Pyramids in Egypt or the Temple in Jerusalem, may have been constructed as an axis mundi, sometimes called a "navel spot": a sacred space around which the universe revolves, the link between the earth and the solid dome of heaven. That would explain why there was once a nail driven into the floor of the Kaaba that the ancient Arabs referred to as "the navel of the world." As G. R. Hawting has shown, the ancient pilgrims would sometimes enter the sanctuary, tear off their clothes, and place their own navels over the nail, thereby merging with the cosmos.

Alas, as with so many things about the Kaaba, its origins are mere speculation. The only thing scholars can say with any certainty is that by the sixth century C.E., this small sanctuary made of mud and stone had become the center of religious life in pre-Islamic Arabia: that intriguing yet ill-defined era of paganism that Muslims refer to as the Jahiliyyah--"the Time of Ignorance."

TRADITIONALLY, THE JAHILIYYAH has been defined by Muslims as an era of moral depravity and religious discord: a time when the sons of Ismail had obscured belief in the one true God and plunged the Arabian Peninsula into the darkness of idolatry. But then, like the rising of the dawn, the Prophet Muhammad emerged in Mecca at the beginning of the seventh century, preaching a message of absolute monotheism and uncompromising morality. Through the miraculous revelations he received from God, Muhammad put an end to the paganism of the Arabs and replaced the "Time of Ignorance" with the universal religion of Islam.

In actuality, the religious experience of the pre-Islamic Arabs was far more complex than this tradition suggests. It is true that before the rise of Islam the Arabian Peninsula was dominated by paganism. But, like "Hinduism," "paganism" is a meaningless and somewhat derogatory catchall term created by those outside the tradition to categorize what is in reality an almost unlimited variety of beliefs and practices. The word paganus means "a rustic villager" or "a boor," and was originally used by Christians as a term of abuse to describe those who followed any religion but theirs. In some ways, this is an appropriate designation. Unlike Christianity, paganism is not so much a unified system of beliefs and practices as it is a religious perspective, one that is receptive to a multitude of influences and interpretations. Often, though not always, polytheistic, paganism strives for neither universalism nor moral absolutism. There is no such thing as a pagan creed or a pagan canon. Nothing exists that could properly be termed "pagan orthodoxy" or "pagan heterodoxy."

What is more, when referring to the paganism of the pre-Islamic Arabs, it is important to make a distinction between the nomadic Bedouin religious experience and the experience of those sedentary tribes that had settled in major population centers like Mecca. Bedouin paganism in sixth-century Arabia may have encompassed a range of beliefs and practices--from fetishism to totemism to manism (ancestor cults)--but it was not as concerned with the more metaphysical questions that were cultivated in the larger sedentary societies of Arabia, particularly with regard to issues like the afterlife. This is not to say that the Bedouin practiced nothing more than a primitive idolatry. On the contrary, there is every reason to believe that the Bedouin of pre-Islamic Arabia enjoyed a rich and diverse religious tradition. However, the nomadic lifestyle is one that requires a religion to address immediate concerns: Which god can lead us to water? Which god can heal our illnesses?

In contrast, paganism among the sedentary societies of Arabia had developed from its earlier and simpler manifestations into a complex form of neo-animism, providing a host of divine and semi-divine intermediaries who stood between the creator god and his creation. This creator god was called Allah, which is not a proper name but a contraction of the word al-ilah, meaning simply "the god." Like his Greek counterpart, Zeus, Allah was originally an ancient rain/sky deity who had been elevated into the role of the supreme god of the pre-Islamic Arabs. Though a powerful deity to swear by, Allah's eminent status in the Arab pantheon rendered him, like most High Gods, beyond the supplications of ordinary people. Only in times of great peril would anyone bother consulting him. Otherwise, it was far more expedient to turn to the lesser, more accessible gods who acted as Allah's intercessors, the most powerful of whom were his three daughters, Allat ("the goddess"), al-Uzza ("the mighty"), and Manat (the goddess of fate, whose name is probably derived from the Hebrew word mana, meaning "portion" or "share"). These divine mediators were not only represented in the Kaaba, they had their own individual shrines throughout the Arabian Peninsula: Allat in the city of Ta'if;

al-Uzza in Nakhlah; and Manat in Qudayd. It was to them that the Arabs prayed when they needed rain, when their children were ill, when they entered into battle or embarked on a journey deep into the treacherous desert abodes of the Jinn--those intelligent, imperceptible, and salvable beings made of smokeless flame who are called "genies" in the West and who function as the nymphs and fairies of Arabian mythology.

There were no priests and no pagan scriptures in pre-Islamic Arabia, but that does not mean the gods remained silent. They regularly revealed themselves through the ecstatic utterances of a group of cultic officials known as the Kahins. The Kahins were poets who functioned primarily as soothsayers and who, for a fee, would fall into a trance in which they would reveal divine messages through rhyming couplets. Poets already had an important role in pre-Islamic society as...
Présentation de l'éditeur :
A fascinating, accessible introduction to Islam from the author of the #1 New York Times bestseller Zealot

Though it is the fastest-growing religion in the world, Islam remains shrouded in ignorance and fear for much of the West. In No god but God, Reza Aslan, an internationally acclaimed scholar of religions, explains this faith in all its beauty and complexity. Beginning with a vivid account of the social and religious milieu in which the Prophet Muhammad forged his message, Aslan paints a portrait of the first Muslim community as a radical experiment in religious pluralism and social egalitarianism. He demonstrates how, after the Prophet’s death, his successors attempted to interpret his message for future generations–an overwhelming task that fractured the Muslim community into competing sects. Finally, Aslan examines how, in the shadow of European colonialism, Muslims developed conflicting strategies to reconcile traditional Islamic values with the realities of the modern world, thus launching what Aslan terms the Islamic Reformation. Timely and persuasive, No god but God is an elegantly written account of a magnificent yet misunderstood faith.

Les informations fournies dans la section « A propos du livre » peuvent faire référence à une autre édition de ce titre.

  • ÉditeurRandom House Inc
  • Date d'édition2006
  • ISBN 10 0812971892
  • ISBN 13 9780812971897
  • ReliureBroché
  • Nombre de pages310
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