Joyful Wisdom - Couverture rigide

Friedrich Wilhelm Nietzsche (15 October 1844 – 25 August 1900) was a German philosopher, cultural critic, poet, and Latin and Greek scholar whose work has exerted a profound influence on Western philosophy and modern intellectual history. Beginning his career as a classical philologist before turning to philosophy, he became the youngest-ever occupant of the Chair of Classical Philology at the University of Basel in 1869, at age 24. He resigned in 1879 due to health problems that plagued him most of his life, and he completed much of his core writing in the following decade. In 1889, at age 44, he suffered a collapse and a complete loss of his mental faculties. He lived his remaining years in the care of his mother (until her death in 1897) and then with his sister Elisabeth Förster-Nietzsche, and died in 1900. Nietzsche's body of writing spanned philosophical polemics, poetry, cultural criticism, and fiction, and drew widely on art, philology, history, religion, and science. His writing displayed a fondness for aphorism and irony while engaging with a wide range of subjects including morality, aesthetics, tragedy, epistemology, atheism, and consciousness. Some prominent elements of his philosophy include his radical critique of reason and truth in favor of perspectivism; his notion of the Apollonian and Dionysian; his genealogical critique of religion and Christian morality, and his related theory of master-slave morality; his aesthetic affirmation of existence in response to the "death of God" and the profound crisis of nihilism; and his characterization of the human subject as the expression of competing wills, collectively understood as the will to power. In his later work, he developed influential concepts such as the Übermensch and the doctrine of eternal recurrence, and became increasingly preoccupied with the creative powers of the individual to overcome social, cultural, and moral contexts in pursuit of aesthetic health.

“The Joyful Wisdom,” written in 1882, just before “Zarathustra,” is rightly judged to be one of Nietzsche’s best books. Here the essentially grave and masculine face of the poet-philosopher is seen to light up and suddenly break into a delightful smile. The warmth and kindness that beam from his features will astonish those hasty psychologists who have never divined that behind the destroyer is the creator, and behind the blasphemer the lover of life. In the retrospective valuation of his work which appears in “Ecce Homo” the author him self observes with truth that the fourth book, “Sanctus Januarius,” deserves especial attention: “The whole book is a gift from the Saint, and the introductory verses express my gratitude for the most wonderful month of January that I have ever spent.” Book fifth “We Fearless Ones,” the Appendix “Songs of Prince Free-as-a-Bird,” and the Preface, were added to the second edition in 1887. The translation of Nietzsche’s poetry has proved to be a more embarrassing problem than that of his prose. Not only has there been a difficulty in finding adequate translators — a difficulty overcome, it is hoped, by the choice of Miss Petre and Mr Cohn, but it cannot be denied that even in the original the poems are of unequal merit. By the side of such masterpieces as “To the Mistral” are several verses of comparatively little value. The Editor, however, did not feel justified in making a selection, as it was intended that the edition should be complete. The heading, “Jest, Ruse and Revenge,” of the “Prelude in Rhyme” is borrowed from Goethe.