We That Are Left - Couverture rigide

“What a gorgeous, brilliant, heart-smacking book!  I am in awe of its stunning scale.” –Laird Hunt, author of Neverhome 

"Clark reminds us that one of the pleasures of reading historical fiction is meeting characters whose thoughts are their own but also mirror the wrongdoings and legacies of their time...Vivid, layered, and provocative period drama about the trade-offs of backing tradition versus letting go." —Kirkus "Deftly evoking the faded glory of the British gentry while weaving an intricate love story with an unlikely twist, acclaimed English writer Clark (Beautiful Lies, 2012) presents a historically rich, psychologically rewarding tale of heritage and romance." —Booklist "Clare Clark's novel of the dislocations that befall an aristocratic English family during and right after World War I is beautifully written and enjoyable...Clark's novel does its forebears proud, for We That Are Left  is engrossing...the characters are vivid and her feel for place is equally superb." —BookPage "We That Are Left is still haunting me. It offers an utterly convincing sense of period; a story that tugs at you; characters who are surprising, tender, hurt; emotions crushed, misunderstood, exploding; on every page the unresolved intensity of real life." —William Nicholson, author of Lovers of Amherst “What a gorgeous, brilliant, heart-smacking book!  I am in awe of its stunning scale.” —Laird Hunt, author of Neverhome

"We That Are Left is still haunting me. It offers an utterly convincing sense of period; a story that tugs at you; characters who are surprising, tender, hurt; emotions crushed, misunderstood, exploding; on every page the unresolved intensity of real life." –William Nicholson, author of Lovers of Amherst “What a gorgeous, brilliant, heart-smacking book!  I am in awe of its stunning scale.” –Laird Hunt, author of Neverhome 

A New York Times Editors' Choice A Washington Post "Notable Fiction Book of 2015" “[A] lavishly detailed historical novel that doesn’t just recreate the past but alters your perception of it...Clark’s descriptive powers provide deep pleasure.”—Michael Upchurch, New York Times Book Review “As always, [Clark's] environments are deliciously luxe...With splendid breadth and depth, We That Are Left accommodates an era’s worth of historical reverberations within the confines of its highly polished rooms.”—Washington Post "Clark reminds us that one of the pleasures of reading historical fiction is meeting characters whose thoughts are their own but also mirror the wrongdoings and legacies of their time...Vivid, layered, and provocative period drama about the trade-offs of backing tradition versus letting go." —Kirkus "Deftly evoking the faded glory of the British gentry while weaving an intricate love story with an unlikely twist, acclaimed English writer Clark (Beautiful Lies, 2012) presents a historically rich, psychologically rewarding tale of heritage and romance." —Booklist "Clare Clark's novel of the dislocations that befall an aristocratic English family during and right after World War I is beautifully written and enjoyable...Clark's novel does its forebears proud, for We That Are Left  is engrossing...the characters are vivid and her feel for place is equally superb." —BookPage "We That Are Left is still haunting me. It offers an utterly convincing sense of period; a story that tugs at you; characters who are surprising, tender, hurt; emotions crushed, misunderstood, exploding; on every page the unresolved intensity of real life." —William Nicholson, author of Lovers of Amherst “What a gorgeous, brilliant, heart-smacking book!  I am in awe of its stunning scale.” —Laird Hunt, author of Neverhome

A New York Times Editors' Choice “[A] lavishly detailed historical novel that doesn’t just recreate the past but alters your perception of it...Clark’s descriptive powers provide deep pleasure.”—Michael Upchurch, New York Times Book Review “As always, [Clark's] environments are deliciously luxe...With splendid breadth and depth, We That Are Left accommodates an era’s worth of historical reverberations within the confines of its highly polished rooms.”—Washington Post "Clark reminds us that one of the pleasures of reading historical fiction is meeting characters whose thoughts are their own but also mirror the wrongdoings and legacies of their time...Vivid, layered, and provocative period drama about the trade-offs of backing tradition versus letting go." —Kirkus "Deftly evoking the faded glory of the British gentry while weaving an intricate love story with an unlikely twist, acclaimed English writer Clark (Beautiful Lies, 2012) presents a historically rich, psychologically rewarding tale of heritage and romance." —Booklist "Clare Clark's novel of the dislocations that befall an aristocratic English family during and right after World War I is beautifully written and enjoyable...Clark's novel does its forebears proud, for We That Are Left  is engrossing...the characters are vivid and her feel for place is equally superb." —BookPage "We That Are Left is still haunting me. It offers an utterly convincing sense of period; a story that tugs at you; characters who are surprising, tender, hurt; emotions crushed, misunderstood, exploding; on every page the unresolved intensity of real life." —William Nicholson, author of Lovers of Amherst “What a gorgeous, brilliant, heart-smacking book!  I am in awe of its stunning scale.” —Laird Hunt, author of Neverhome

Praise for Clare Clark and Beautiful Lies "A stirring and seductive novel." —The Economist "Clare Clark's fiction manages to maintain historical accuracy even as it indulges in great storytelling and lush prose...A captivating fable of truth and memory, Beautiful Lies speaks to us quietly yet with strength." —New York Times Book Review "Beautiful Lies presents us with a couple who would surely be counted among our Beautiful People today...The whole novel is carefully constructed and full of wonderful details about the period. You can see that the Victorian Age is a mirror image of our own. And Edward and Maribel are touching, funny, brave, and sweet." —Washington Post "[Clark] is one of those writers who can see into the past and help us feel its texture." —Hilary Mantel, Booker Prize–winning author of Wolf Hall and Bring Up the Bodies

"Clark reminds us that one of the pleasures of reading historical fiction is meeting characters whose thoughts are their own but also mirror the wrongdoings and legacies of their time...Vivid, layered, and provocative period drama about the trade-offs of backing tradition versus letting go." —Kirkus "Deftly evoking the faded glory of the British gentry while weaving an intricate love story with an unlikely twist, acclaimed English writer Clark (Beautiful Lies, 2012) presents a historically rich, psychologically rewarding tale of heritage and romance." —Booklist "We That Are Left is still haunting me. It offers an utterly convincing sense of period; a story that tugs at you; characters who are surprising, tender, hurt; emotions crushed, misunderstood, exploding; on every page the unresolved intensity of real life." —William Nicholson, author of Lovers of Amherst “What a gorgeous, brilliant, heart-smacking book!  I am in awe of its stunning scale.” —Laird Hunt, author of Neverhome

“As always, [Clark's] environments are deliciously luxe...With splendid breadth and depth, We That Are Left accommodates an era’s worth of historical reverberations within the confines of its highly polished rooms.”—Washington Post "Clark reminds us that one of the pleasures of reading historical fiction is meeting characters whose thoughts are their own but also mirror the wrongdoings and legacies of their time...Vivid, layered, and provocative period drama about the trade-offs of backing tradition versus letting go." —Kirkus "Deftly evoking the faded glory of the British gentry while weaving an intricate love story with an unlikely twist, acclaimed English writer Clark (Beautiful Lies, 2012) presents a historically rich, psychologically rewarding tale of heritage and romance." —Booklist "Clare Clark's novel of the dislocations that befall an aristocratic English family during and right after World War I is beautifully written and enjoyable...Clark's novel does its forebears proud, for We That Are Left  is engrossing...the characters are vivid and her feel for place is equally superb." —BookPage "We That Are Left is still haunting me. It offers an utterly convincing sense of period; a story that tugs at you; characters who are surprising, tender, hurt; emotions crushed, misunderstood, exploding; on every page the unresolved intensity of real life." —William Nicholson, author of Lovers of Amherst “What a gorgeous, brilliant, heart-smacking book!  I am in awe of its stunning scale.” —Laird Hunt, author of Neverhome

"Clark reminds us that one of the pleasures of reading historical fiction is meeting characters whose thoughts are their own but also mirror the wrongdoings and legacies of their time...Vivid, layered, and provocative period drama about the trade-offs of backing tradition versus letting go." –Kirkus "We That Are Left is still haunting me. It offers an utterly convincing sense of period; a story that tugs at you; characters who are surprising, tender, hurt; emotions crushed, misunderstood, exploding; on every page the unresolved intensity of real life." –William Nicholson, author of Lovers of Amherst “What a gorgeous, brilliant, heart-smacking book!  I am in awe of its stunning scale.” –Laird Hunt, author of Neverhome

Two sisters, born into privilege, are forced to make their way in a world turned upside down by war. One man transforms them both. 1910. Jessica and Phyllis Melville have grown up at Ellinghurst, a family estate fraught with secrets. A headstrong beauty, Jessica longs for London — the glitter and glamour of debutante life — while bookish Phyllis dreams in vain of attending university. Into their midst walks Oskar Grunewald, a frequent visitor fascinated by the house but alternately tormented and ignored by the Melville children. Oskar seeks refuge in Ellinghurst’s enormous library.  Meanwhile Theo, the adored Melville brother, eclipses everyone around him.   The Great War arrives to devastate and reshape their world. In a country unrecognizable from the idylls of their youth, the Melville sisters struggle to forge new paths without the guidance of the old rules. But Oskar’s life has become entwined with theirs once again, in ways—both immediate and unimaginable-- that will change all of their futures.   With elegance and insight, in prose characteristically “stirring and seductive” ( The Economist) Clare Clark brings us a new story of a kind of old family whose reckoning with change will haunt and resonate for many generations.