Tales of the Otherworld - Couverture rigide

Aaron stumbled from the tavern and gasped as the first blast of cold air slapped him. He paused in the doorway and took a deep breath. Geoffrey jostled him from behind, and Aaron gave him a good-natured shoulder that sent his friend staggering back.  

"Move it, you big ox," John said, kneeing Aaron in the rear. 

  "Just push me out of the way." Aaron shot a grin over his shoulder. "Or maybe you should squeeze past instead. You're skinny enough."

   Aaron stepped onto the cobblestone street and grimaced. So much for fresh air. The narrow street stank of shit--horse shit, dog shit, human shit; that's what came of living so close you couldn't take a crap without piling it on someone else's. Give himfarm life any day. Plenty of shit there, too, but at least there was room to spread it around.   He squinted up and down the street, his ale-soaked brain struggling to remember which way they'd come. That was another problem with towns. You couldn't see a damn thing. The buildings not only crowded your view, they crowded out the moonlight, and thelanterns dotting the street added more smoke than light.  

"Inn's this way," Geoffrey said, smacking Aaron's arm. "Come on before the mistress locks the door."  

She had locked them out the last time, and it had been a long, cold night on the street. Aaron and Geoffrey came to the city every other month, bringing goods to market. They'd finished their work this morning, but their families didn't expect them backuntil Sunday night, knowing that any young man who stayed home to help his parents on the farm deserved time to sample the cosmopolitan treats he was forgoing.  

One of those "treats" peered out from a side street as they passed. She met Aaron's gaze and batted her lashes in what he supposed was meant to be a come-hither look, but seemed more like soot caught in her eyes. She couldn't have been more than twelve,the bodice of her dirty dress stuffed to simulate the curves she wouldn't see for another few years . . . if she lived that long.  

Aaron walked over, and pressed a few coins into the whore's palm. A look--part relief, part trepidation--sparked in her eyes, then they clouded with confusion as he returned to his friends.  

John bumped against him. "How drunk are you? You forgot to take what you paid for." 

  "Oh, Aaron never has to pay for it," Geoffrey said. "When a tart sees him coming, she closes her purse and opens her legs."  

"If you don't want it, I'll take it."  

John started to turn, but Aaron grabbed his shoulders and steered him forward.  

"What?" John grumbled. "It's paid for."  

As they stumbled past an alley, a whimper snaked out from the darkness, followed by the crack of a fist hitting flesh.   Aaron stopped.  

"Ya gotta have more than that," a voice rumbled. "Find it . . . or I will."  

"Aaron . . ." Geoffrey said, plucking Aaron's sleeve. "It's none of your business. And, for once, let's leave it that way, or we'll spend another night on the street."  

Aaron brushed his friend off and strode into the alley. As he walked, his steps steadied, the effects of the ale sloughing off as he focused on the voices. He pulled himself up to his full height and peeled off his jacket. That was often enough--towerover the thug and flex his muscles, and most decided they really didn't need that few pence tonight after all. As he approached the black-haired lout and quaking shopkeeper, his gaze went to the ruffian's hands, looking for a weapon. Nothing. Good.  

Aaron grabbed the man's shoulder. "You want to rob someone? Try me."  

The lout's hand slammed forward. A flash of metal. Where had that come--?  

The blade drove into his chest. Aaron shoved the man away and staggered back. His hands went to his chest. Blood pumped out over his fingers. The man came at him again, but the sound of running footsteps made him think better of it and he ran off intothe darkness.  

"Aaron? Aaron!"  

Aaron tried to take a step, but faltered and hit the wall. He stood there, knees locked, forcing himself to stay upright. Then he crumpled.    

Aaron twisted in his bed. The damned thing dug into both of his shoulders and butted against the top of his head and bottoms of his feet. Inns. Cram as many people into a room as they can, and if you're more than average height, well, that's not the inn'sfault. 

  Eyes still closed, he took a deep breath. Flowers and a faint musty smell. The mistress probably set out fresh blooms to cover the stink, so she wouldn't have to change the bedding more than once a month. 

  He should open his eyes. He knew that--but he also knew that first blare of morning sun was going to feel like Satan's imps stabbing his eyes with pitchforks. He shouldn't drink so much. He wasn't used to it, and he paid for his folly every morning after.

 Speaking of folly . . . He let out a groan as he remembered the man in the alley. Next time he decided to rescue someone, he'd take an extra moment to make damned sure the lout wasn't concealing a knife. Now he really didn't want to get up. He'd been stabbedin the chest once before, and it had taken him weeks to recover.  

The last time, he'd been unable to lift anything heavier than a piglet for a month. His father had to do all the chores, and he'd kept sighing and muttering "Aaron, Aaron, Aaron," his weathered face wrinkling. But he kept his gaze down when he said it,to cover the pride in his eyes.  

"A big strong boy with a good heart," he'd boast to the neighbors when he thought Aaron couldn't hear. "What more could a father want?"  

"God gave you strength," his mother always said. "Always remember that it's a gift, and gifts from God are to be used in his service. Help those less fortunate than you, and you'll please him." 

  Helping others, though, did not mean getting stabbed and being unable to help his father. His mother would be very firm about that.  

"Be careful, Aaron," she'd say. "You're too quick to act. Take a moment to think as well."  

Maybe he could persuade one of his brothers to come back home for a month and help. Even as the thought occurred, though, he dismissed it. They had their own families and jobs and farms. He was the only one left. His father relied on him.  

He groaned again.  

Enough of that. Time to grit his teeth and get up.  

He pulled up his knees and they struck something with a hollow thwack. He opened one eye. The wavering glow of candlelight cast a dim glow in the dark room. Was it still night?   He reached sideways to brace himself as he sat up, and his hand smacked against wood. A bed with sides on it? Had Geoffrey and the others dumped him in a horse trough again?  

He opened the other eye. Then, grabbing the sides, he heaved himself up, bracing for the throb of pain through his chest. It didn't come.   Had he dreamed the stabbing? His fingers moved to his chest. It felt fine . . . fine and whole. That damned cheap ale was giving him nightmares now. 

  He sat up and blinked. He was in a dark, empty room, lit only by a few candles. It looked vaguely familiar. There was a board across his boxlike bed, pushed sideways away from his head and chest; that's what he'd hit his knees on. A black-robed figuresat near his feet, head bent forward in sleep.   Aaron rubbed his eyes. Where the hell was he? It looked familiar. Then he blinked as the memory clicked. It looked like the inside of the family mausoleum. Well, not really a mausoleum; it was made of rough-hewn wood. A mausoleum for a farmer's familywas ridiculous, as every neighbor had at some point whispered to another. But that was the condition of marriage his mother had made.   "My children must be buried aboveground," she'd told his father. "It is our way."  

His father hadn't argued. Who knew what her ways were? She was a Jew and a foreigner, and all he knew was that this beautiful young woman he'd met in London was willing to marry a forty-year-old bachelor and bear his sons. She could have said she wantedhim to build her a tower to the moon, and he'd have done it.

   As for why Aaron was waking up in the mausoleum . . . well, obviously the ale was giving him nightmares. Damn. He'd really hoped the stabbing part of his evening had been the dream, not the waking. 

  He went to lie back down when his knees knocked the board again, this time sending it clattering to the floor. The figure in the chair jumped up, her hood falling back, and he saw a dark-haired woman, gracefully sliding into middle age--his mother.  

"Aaron!"  

She rushed to him, hands grabbing his shoulders, fingers digging in. Her face loomed over his--blotchy with tears, eyes swollen, hair bedraggled.  

"Say something," she whispered. "Please."  

"I drank too much. Again."   Her arms flew around him, head going to his chest, burrowing in, shoulders convulsing in a silent sob.  

"I prayed it would be you," she whispered. "I know it's not right for a mother to have favorites, but I always hoped that if God chose one of my children for the blessing, I hoped it would be you. And then after . . ." She hiccuped a sob. "I prayed, Aaron.I prayed you'd be the one."  

"What one?" He pulled back to look at her. "I really think I drank too much. Maybe if I go back to sleep--"  

He tried to lie down, but her fingers dug into his shoulders.  

"No! There's no time. Your father wants to seal the coffin. It's been three days. It must be sealed."  

"Seal? Coffin?"...

Praise for Kelley Armstrong:
“Like Stephen King, . . . Armstrong not only writes interesting page-turners, she has also achieved that unlikely goal, what all writers strive for: a genre of her own. . . . This is not The Call of the Wild; it’s Nora Roberts meets The Sopranos by way of Henry David Thoreau.”
— The Walrus

Praise for Men of the Otherworld:
"The intriguing tales, originally published as serials on Armstrong's web site, unfold so fluidly that they read almost like a novel, providing a good introduction to new readers and a real treat for fans."
— Publishers Weekly

"It truly is a treat, even for those not familiar with Armstrong's previous work.... No matter which man is narrating...Armstrong creates a distinct and engaging voice and depth of character while maintaining her own sophisticated style."
— Winnipeg Free Press

Praise for Living With the Dead:
"As Armstrong readers have come to expect, this book is balanced between likable characters and the creepy evil that they fight, all wrapped together with nonstop, edge-of-your-seat action."
— Library Journal

"Rarely is the ninth book in a series as fresh and entertaining as the first, but this Women of the Otherworld volume defies the odds."
— Booklist