A Natural History of Ghosts: 500 Years of Hunting for Proof - Couverture souple

Beautifully written ... lithe, complicated and hugely rewarding (James McConnachie Sunday Times)

Simmering as it is with personal reflections, this handsome volume ... is bursting with a giddy passion, buoyed further by an expert's thirst for abstruse facts. The main pleasure of reading this book is Clarke's own enthusiasm, intelligence and seriousness ... a deeply interesting, revealing read (Book Hugger)

Splendid ... compelling ... Clarke manages to give goose-flesh and a giggle while informing the reader - an enviable feat (Scotsman)

A highly enjoyable (and disturbing work) ... I am in awe of [Clarke's] intrepidity (Guardian)

Outstanding ... Clarke's dissection of the shocks, sadnesses and sexiness of the seance tables from the late Victorian era is brilliantly done ... The book is deeply enjoyable, hugely informative and at times distinctly unsettling (Shade Point)

Britain has over 500-years' worth of ghost stories in the cupboard and in The Natural History of Ghosts, Roger Clarke makes them dance ... the most original and readable book exploring our ghost-rich culture to appear for years ... fascinating (Fortean Times)

Clarke's examination of the need people have to believe remains insightful and illuminating throughout (Observer)

Roger Clarke explores the endlessly fascinating subject of the dead who won't lie down, the places they haunt, as well as the hysteria and panic they inspire. Why and how over 500 years their existence has never been scientifically proved - but at the same time, never disproved. Ghosts are masters of the elusive and ambiguous, but Clarke is a master investigator (Fay Weldon Daily Mail)

An intriguing, shivers-down-the-spine book (The Lady)

Lively and absorbing ... [Clarke] has proven himself an ideal guide to this troubled and disorderly realm (Literary Review)

Raised in a haunted house, Roger Clarke is best known as a film-writer for the Independent newspaper and more recently Sight & Sound. He was the youngest person ever to join the Society for Psychical Research in the 1980s and was getting his ghost stories published by the The Pan & Fontana series of horror books aged only 15, when Roald Dahl asked his agent to take him on as a client. A published poet, his libretto for The Man with the Footsoles of Wind was performed at the Almeida Theatre in London in 1993. This is the book he always wanted to write.