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Tyler, Anne A Patchwork Planet ISBN 13 : 9780099272687

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9780099272687: A Patchwork Planet
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Barnaby Gaitlin has less in life than he once had. His ex-wife Natalie left him and their native Baltimore several years ago, taking their baby daughter Opal with her. He acquired an unalterably fixed position as the black sheep of the family. And this family isn't one where black sheep are tolerated. The Gaitlins are rich and worthy, supposedly guided by their own special angel to do the right thing... OVER A MILLION ANNE TYLER BOOKS SOLD ‘She’s changed my perception on life’ Anna Chancellor ‘One of my favourite authors ’ Liane Moriarty ‘She spins gold' Elizabeth Buchan ‘Anne Tyler has no peer’ Anita Shreve ‘My favourite writer, and the best line-and-length novelist in the world’ Nick Hornby ‘A masterly author’ Sebastian Faulks ‘Tyler is not merely good, she is wickedly good’ John Updike ‘I love Anne Tyler’ Anita Brookner ‘Her fiction has strength of vision, originality, freshness, unconquerable humour’ Eudora Welty

Les informations fournies dans la section « Synopsis » peuvent faire référence à une autre édition de ce titre.

Extrait :
I am a man you can trust, is how my customers view me. Or at least, I'm guessing it is. Why else would they hand me their house keys before they leave for vacation? Why else would they depend on me to clear their attics for them, heave their air conditioners into their windows every spring, lug their excess furniture to their basements? "Mind your step, young fellow; that's Hepplewhite," Mrs. Rodney says, and then she goes into her kitchen to brew a pot of tea. I could get up to anything in that basement. I could unlock the outside door so as to slip back in overnight and rummage through all she owns--her Hepplewhite desk and her Japanese lacquer jewelry box and the six potbellied drawers of her dining-room buffet. Not that I would. But she doesn't know that. She just assumes it. She takes it for granted that I'm a good person.
Come to think of it, I am the one who doesn't take it for granted.
On the very last day of a bad old year, I was leaning against a pillar in the Baltimore railroad station, waiting to catch the 10:10 a.m. to Philadelphia. Philadelphia's where my little girl lives. Her mother married a lawyer there after we split up.
Ordinarily I'd have driven, but my car was in the shop and so I'd had to fork over the money for a train ticket. Scads of money. Not to mention being some appointed place at some appointed time, which I hate. Plus, there were a lot more people waiting than I had expected. That airy, light, clean, varnished feeling I generally got in Penn Station had been crowded out. Elderly couples with matching luggage stuffed the benches, and swarms of college kids littered the floor with their duffel bags. This gray-haired guy was walking around speaking to different strangers one by one. Well-off guy, you could tell: tan skin, nice turtleneck, soft beige car coat. He went up to a woman sitting alone and asked her a question. Then he came over to a girl in a miniskirt standing near me.

I had been thinking I wouldn't mind talking to her myself.

She had long blond hair, longer than her skirt, which made it seem she'd neglected to put on the bottom half of her outfit. The man said, "Would you by any chance be traveling to Philadelphia?"

"Well, northbound, yes," she said, in this shallow, breathless voice that came as a disappointment.

"But to Philadelphia?"

"No, New York, but I'll be--"

"Thanks anyway," he said, and he moved toward the next bench.

Now he had my full attention. "Ma'am," I heard him ask an old lady, "are you traveling to Philadelphia?" The old lady answered something too mumbly for me to catch, and instantly he turned to the woman beside her. "Philadelphia?" Notice how he was getting more and more sparing of words. When the woman told him, "Wilmington," he didn't say a thing; just plunged on down the row to one of the matched-luggage couples. I straightened up from my pillar and drifted closer, looking toward Gate E as if I had my mind on my train. The wife was telling the man about their New Year's plans. They were baby-sitting their grandchildren who lived in New York City, she said, and the husband said, "Well, not New York City proper, dear; White Plains," and the gray-haired man, almost shouting, said, "But my daughter's counting on me!" And off he raced.

Well, I was going to Philadelphia. He could have asked me. I understood why he didn't, of course. No doubt I struck him as iffy, with my three-day growth of black stubble and my ripped black leather jacket and my jeans all dust and cobwebs from Mrs. Morey's garage. But still he could have given me a chance. Instead he just flicked his eyes at me and then swerved off toward the bench at the end of the room. By now he was looking seriously undermedicated. "Please!" he said to a woman reading a book. "Tell me you're going to Philadelphia!"

She lowered her book. She was thirtyish, maybe thirty-five--older than I was, anyhow. A schoolmarm sort, in a wide brown coat with a pattern like feathers all over it. "Philadelphia?" she said. "Why, yes, I am."

"Then could I ask you a favor?"

I stopped several feet away and frowned down at my left wrist. (Never mind that I don't own a watch.) Even without looking, I could sense how she went on guard. The man must have sensed it too, because he said, "Nothing too difficult, I promise!"
They were announcing my train now. ("The delayed 10:10," the loudspeaker called it. It's always "the delayed" this or that.) People started moving toward Gate E, the older couples hauling their wheeled bags behind them like big, meek pets on leashes. If the woman in the feather coat said anything, I missed it. Next I heard, the man was talking. "My daughter's flying out this afternoon for a junior semester abroad," he was saying. "Leaving from Philadelphia; the airline offers a bargain rate if you leave from Philadelphia. So I put her on a train this morning, stopped for groceries afterward, and came home to find my wife in a state. It seems our daughter'd forgotten her passport. She'd telephoned from the station in Philly; didn't know what to do next."

The woman clucked sympathetically. I'd have kept quiet myself. Waited to find out where the guy was heading with this.

"So I told her she should stay put. Stay right there in the station, I said, and I would get somebody here to carry up her passport."

A likely story! Why didn't he go himself, if this was such an emergency?

"Why don't you go yourself?" the woman asked him.

"I can't leave my wife alone that long. She's in a wheelchair: Parkinson's."

This seemed like a pretty flimsy excuse, if you want my honest opinion. Also, it exceeded what I would consider the normal quota for misfortunes. Not only a lamebrain daughter, but a wife with a major disease! I let my eyes wander toward the two of them. The woman was gazing up into the man's face, pooching her mouth out thoughtfully. The man was holding a packet. He must have pulled it from his car coat: not a manila envelope, which would have been the logical choice, but one of those padded mailers the size of a paperback book. Aha! Padded! So you couldn't feel the contents! And from where I stood, it looked to be stapled shut besides. Watch yourself, lady, I said silently.

As if she'd heard me, she told the man, "I hope this isn't some kind of contraband." Except she pronounced it "counterband," which made me think she must not be a schoolmarm, after all.

"No, no!" the man told her. He gave a huff of a laugh. "No, I can assure you it's not counterband."

Was he repeating her mistake on purpose? I couldn't tell. (Or maybe the word really was "counterband.") Meanwhile, the loudspeaker came to life again. The delayed 10:10 was now boarding. Train wheels squealed below me. "I'll do it," the woman decided.

"Oh, wonderful! That's wonderful! Thanks!" the man told her, and he handed her the packet. She was already rising. Instead of a suitcase, she had one of those tote things that could have been just a large purse, and she fitted the strap over her shoulder and lined up the packet with the book she'd been reading. "So let's see," the man was saying. "You've got light-colored hair, you're wearing a brown print coat. . . . I'll call the pay phone where my daughter's waiting and let her know who to watch for. She'll be standing at Information when you get there. Esther Brimm, her name is--a redhead. You can't miss that hair of hers. Wearing jeans and a blue-jean jacket. Ask if she's Esther Brimm."

He followed the woman through the double doors and down the stairs, although he wasn't supposed to. I was close behind. The cold felt good after the packed waiting room. "And you are?" the man was asking.

Affected way of putting it. They arrived on the platform and stopped short, so that I just about ran over them. The woman said, "I'm Sophia--" and then something like "Maiden" that I couldn't exactly hear. (The train was in place but rumbling, and passengers were clip-clopping by.) "In case we miss connections, though . . . ," she said, raising her voice.

In case they missed connections, he should put his name and phone number on the mailer. Any fool would know that much. But he seemed to have his mind elsewhere. He said, "Um . . . now, do you live in Baltimore? I mean, are you coming back to Baltimore, or is Philly your end destination?"

I almost laughed aloud at that. So! Already he'd forgotten he was grateful; begun to question his angel of mercy's reliability. But she didn't take offense. She said, "Oh, I'm a long-time Baltimorean. This is just an overnight visit to my mother. I do it every weekend: take the ten-ten Patriot Saturday morning and come back sometime Sunday."

"Well, then!" he said. "Well. I certainly do appreciate this."

"It's no trouble at all," she said, and she smiled and turned to board.

I had been hoping to sit next to her. I was planning to start a conversation--mention I'd overheard what the man had asked of her and then suggest the two of us check the contents of his packet. But the car was nearly full, and she settled down beside a lady in a fur hat. The closest I could manage was across the aisle to her left and one row back, next to a black kid wearing earphones. Only view I had was a schoolmarm's netted yellow bun and a curve of cheek.

Well, anyhow, why was I making this out to be such a big deal? Just bored, I guess. I shucked my jacket off and sat forward to peer in my seat-back pocket. A wrinkly McDonald's bag, a napkin stained with ketchup, a newspaper section folded to the crossword puzzle. The puzzle was only half done, but I didn't have a pen on me. I looked over at the black kid. He probably didn't have a pen, either, and anyhow he was deep in his music--long brown fingers tapping time on his knees.

Then just beyond him, out the window, I chanced to notice the passport man talking on the phone. Talking on the phone? Down here beside the tracks? Sure enough: one of those little cell phones you all the time see obnoxious businessmen showing off in public. I leaned closer to the window. Something here was weird, I thought. Maybe he smuggled drugs, or worked for the CIA. Maybe he was a terrorist. I wished I knew how to read lips. But already he was closing his phone, slipping it into his pocket, turning to go back upstairs.
Revue de presse :
"Tyler is a masterly writer whose love stories make you think as well as feel." (Sebastian Faulks)

"I was bowled over...I finished the book wishing it had been twice as long" (Jeremy Paxman)

"I can think of no other writer whose novels I look forward to with such gleeful anticipation. A Patchwork Planet is her fourteenth book, but were it for fortieth, it would not be enough for me... A delight from beginning to end" (Observer)

"Anne Tyler is inventive, funny and wise. Her fiction is magically alive to the quirks and coincidences of fate... [A Patchwork Planet] is charming, readable, and more full of touching and humane observations than many other novels you will read this year" (Guardian)

"A Patchwork Planet is thoroughly enjoyable...from this most responsive novel" (Sunday Times)

Les informations fournies dans la section « A propos du livre » peuvent faire référence à une autre édition de ce titre.

  • ÉditeurVintage
  • Date d'édition1999
  • ISBN 10 0099272687
  • ISBN 13 9780099272687
  • ReliureBroché
  • Numéro d'édition1
  • Nombre de pages352
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Description du livre Paperback. Etat : new. Paperback. From the Pulitzer prize-winning Sunday Times bestseller Anne Tyler. A Patchwork Planet is now re-jacketed along with the rest of Tyler's books in striking new backlist styleBarnaby Gailtin has less in life than he once had.His ex-wife Natalie left him and their native Baltimore several years ago, taking their baby daughter Opal with her, and he has acquired an unalterably fixed position as the black sheep of the family in a family where black sheep aren't tolerated. Then the angelic Sophia enters his life and it seems as if all this is set to change. But can he shake off his past?**ANNE TYLER HAS SOLD OVER 8 MILLION BOOKS WORLDWIDE**'Anne Tyler takes the ordinary, the small, and makes them sing' Rachel Joyce'She knows all the secrets of the human heart' Monica Ali'A masterly author' Sebastian Faulks'I love Anne Tyler. I've read every single book she's written' Jacqueline Wilson Barnaby Gaitlin has less in life than he once had. His ex-wife Natalie left him and their native Baltimore several years ago, taking their baby daughter Opan with her. He acquired an unalterably fixed position as the black sheep of the family. And his family isn't one where black sheep are amusedly tolerated. Shipping may be from multiple locations in the US or from the UK, depending on stock availability. N° de réf. du vendeur 9780099272687

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Description du livre Paperback / softback. Etat : New. New copy - Usually dispatched within 4 working days. Barnaby Gaitlin has less in life than he once had. His ex-wife Natalie left him and their native Baltimore several years ago, taking their baby daughter Opal with her. He acquired an unalterably fixed position as the black sheep of the family. And this family isn't one where black sheep are tolerated. N° de réf. du vendeur B9780099272687

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Description du livre Etat : New. Barnaby Gaitlin has less in life than he once had. His ex-wife Natalie left him and their native Baltimore several years ago, taking their baby daughter Opal with her. He acquired an unalterably fixed position as the black sheep of the family. And this family isn't one where black sheep are tolerated. Num Pages: 352 pages. BIC Classification: FA. Category: (G) General (US: Trade). Dimension: 199 x 131 x 19. Weight in Grams: 290. . 1999. Reprint. Paperback. . . . . Books ship from the US and Ireland. N° de réf. du vendeur V9780099272687

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Description du livre Etat : New. Barnaby Gaitlin has less in life than he once had. His ex-wife Natalie left him and their native Baltimore several years ago, taking their baby daughter Opal with her. He acquired an unalterably fixed position as the black sheep of the family. And this family isn't one where black sheep are tolerated. Num Pages: 352 pages. BIC Classification: FA. Category: (G) General (US: Trade). Dimension: 199 x 131 x 19. Weight in Grams: 290. . 1999. Reprint. Paperback. . . . . N° de réf. du vendeur V9780099272687

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